HSAL, by Ben Mauch

As we inch closer & closer to our HUGE TEN YEAR ANNIVERSARY EVENT, we thought it would be interesting to connect with people who have been with us through various seasons. These may be artists we’ve worked with or simply friends of the label who have watched us grow.

This time around, we caught up with Ben Mauch, who not only turns heads with his solo work, but as the drummer for Richmond-based post-rock outfit Colin Phils. We asked him a handful of questions & here’s what he had to share:

Mauch performing in Greenville NC, 2018. (PC: HSAL)

When was the first time you heard about HSAL?

I first heard about HSAL when I was in college around 2010. I was living with a bunch of people on Yeardley Ave. in Lynchburg that were involved with the band Alaska (HSAL #10). I eventually met Nathan and Joe somewhere around town.

How has HSAL connected with you personally over the years (either as a fan or an artist)?

HSAL has always been a constant source of interesting music for me, and I always look forward to listening to the releases that come out. As an artist, HSAL has pushed me to create meaningful work that I feel can have a lasting effect on a listener, and I am proud to be a part of the community.

What do you think HSAL has meant to “the scene”?

HSAL is a big part of the western Virginia music scene and is important to Virginia overall, because of the aesthetic of the music and the DIY nature of it all.

Which two or three HSAL releases would you use to recommend the label to a friend?

Oahu‘s “Slow Waves and Simple Sounds“, Opin‘s “Drifters“, and Alaska‘s “Alaska“.

HSAL #49 HAS ARRIVED!

L.A. Dies: “Drifting Still

  • Tracked across two sessions in Richmond by Allen Bergendahl (March 2019)
  • Special Guest Joshua Quarles on cello (“Feels Really Small”, “Fathoms”, “Circle”)
  • Mastered by Andrew Horton from Good Glass Records (Jeremiah Lloyd Harmon, Joy Electric)

FFO: Middle Kids, “Lost Friends“; DIIV, “Oshin“; The Cranberries, “No Need To Argue

Drifting Still” showcases the same sonic maturity that the band has been hinting at shows for most of 2019. They’ve put aside the bubbly, bright youthfulness of their early work, replacing it with an ambitious focus on the relationship to change. Lyrically, the album plays out in what could be a series of dream sequences that accept the unknown. The desire to learn from the past’s dark places holds equal priority with a desire to craft a life greater than simple adult complacency.

While I sleep soundly the world shifts around me from underneath. And when I wake I’m invisible to it…”

Home Safe

The first time we caught this act perform live, two words came into frame: “potential” & “commitment”. While their path continued to cross with some of our acts, those two words kept coming to mind. As they self-produced a couple releases & figured out how to book their own tours around the eastern US, it became apparent that we should look at working together. After their 2018 set on our stage at the annual local music festival, we took the plunge, signing this four-piece. A year later, we are beyond thrilled to present the new full length from Lynchburg’s L.A. Dies to the world!


OUR NEW LOOK!

As we come to the end of our first decade as a label, we thought it prudent to cook up a new look. The site will work the same way as before. We’ll do our darnedest to keep you up to speed with the comings & goings of our roster.

Speaking of the goings on, you HAVE TO KNOW that we are throwing a huge party in our home town next month to celebrate TEN YEARS STRONG! We have assigned catalog number 50 to this event. We also invited a killer lineup to commemorate this milestone. It’s a total friends (Young Scum, Nickelus F, Toan Team & Sound Of Ceres) & family (Jeremiah Lloyd Harmon, Opin, TLVS, Good Dog Nigel & L.A. Dies) affair! Oh yeah – YOU’RE INVITED! Tickets are available now. Hope to see you there…