The new EP from Blacksburg’s Graven Image is here! We’re shipping out all pre-orders on Tuesday. You can stream the entire thing at the bandcamp site or pretty much anywhere else (google, apple, spotify).
Physical copies can be purchased directly from the band or from the HSAL bandcamp. We are already down to only a handful of copies left in our inventory so don’t wait on this one. Swell ethereal drones a la Julianna Barwick or Richard Skelton.
So, we’re already a month into the new year and your friendly neighborhood record label has a few things stirring:
This week, Joey and Nathan will sonically whitewash the gallery spaces down at the Academy Center for the Arts for February’s installment of “First Fridays.” Among the exhibits will be a collection from five faculty members of the James Madison University School of Art, Design and Art History. The duet will continue to work out ideas in the live setting that (hopefully) will translate to a new album in 2020. They’ll be back at the Art Rat in Roanoke next month with Hypnagogue. Here’s a track honeybrandy posted to soundcloud several moons ago…
Thanks to a quick turnaround from the factory, HSAL #52 should be shipping before the February 21st street date! If you on a first name basis with these two, feel free to hit them up for a copy. The uninitated may purchase a cassette copy from us through bandcamp (we have less than 10 unaccounted for – don’t sleep on this one). The sample below displays an EP that fits in nicely with the long line of minimal, textured ambience for which HSAL has become known the world over.
Hope you and yours made the holidays special in unique ways. We took the downtime to exhale in preparation for all that the new year will swing our way. Here’s what we know right now:
L.A. DIES ON WNRN!
The Commonwealth’s widest reaching independent radio station, WNRN, has just picked up “Feels Really Small” from the four-piece’s HSAL debut for regular rotation. We supremely proud of this record, so it’s swell to learn of it capturing the ears of others.
HSAL #52 IS ABOUT TO DROP!
Our next release comes courtesy of Blacksburg’s Graven Image. This EP, the first proper recording for the cello/synth + voice duet, was tracked at the Old City Cemetery Chapel right here in Lynchburg back in November. Joey from honeybrandy sat in on the session as well. The result is a really dark ethereal pair of long-form compositions that feel akin to the work of Julianna Barwick or Richard Skelton. The band is going to end up with most of cassette run, but we will have a handful to sell once the release drops in February. Stream a sample from the EP here.
We’re only days away from the end of the decade! It’s been a complete BLAST working with so many talented folks thus far. We are especially thankful for what 2019 brought our way:
EP’s from Good Dog Nigel and You’re Jovian
Full lengths from Andres Momentomori and L.A. Dies
A double CD from Oahu
A completely killer ten-year anniversary party at the Academy Center featuring friends old and new
We threw together this Spotify playlist as a “debrief” for all that action that we were a part of this year. Also included are some choice sounds that the Commonwealth birthed over the past twelve months. Some of these are as-of-yet unsigned acts (Emily Brophy) while others are between labels (Big Baby, KEEP, Opin). Then there is the latest single from our good buds DEMONS for good measure…
Here’s to a new year, a new decade, and a new chapter in the HSAL story!
Fresh off their “Dead Air” appearance at the Academy Center last month, regional independent WNRN has invited L.A. Dies up to the studio to help usher in holiday cheer this week. Wednesday evening (12/11) from 8P – 10P, the band will join other Commonwealth up-and-comers (Will Overman, Saw Black) to perform live. If you’re in Virginia, chances are you can find it on an old fashioned receiver dial. Everyone else can pull the show up online via the tune in app.
In related news, the station is currently running a poll for the best albums of 2019. While there are several records of note, we’d love to see “Drifting Still” come up in the final tally. Simply write in the latest L.A. Dies album and submit it with the records you returned to the most this year.
To finish off the celebration of TEN YEARS of doing right by Virginia, we curated a sampling of the HSAL catalog. This “Career Box” contains a track from every release – starting with HSAL #01 (a split 7″ EP between Herizon & Virgineola) & ending with a cut from the just released HSAL #56 (the second single from the new L.A. Dies album).
While digging back through the archives, we came across several submissions, live cuts, covers & other special moments from years of artists coming & going through the Hill City. We thought some of this action would be the perfect addition to our collection here.
There is also a visual collection assembled from our vault. Pics – lots of pics – from our first decade. Candid live shots, staged press photos, & more! Oh, & we put together some interesting HSAL-related video footage as well.
We thought about what we should charge for such a project, but couldn’t get away from the idea of this “box set” being a gift from us to any & all who care to receive it. Consider it our way of saying “THANK YOU” to any & all who have supported our endeavors to promote inddpendent art.
On Friday, November 29th, we are dropping the new L.A. Dies maxi-single! “Tend To Do” is the second official cut to be featured from the four-piece’s spectacular LP, “Drifting Still“. HSAL fans can the entire release here prior to the 29th!
At the album’s release back in September, we reached out to HSAL friends & family about the possibility of reworking one of the tunes. Multiple responses were that the track would have to be “Tend To Do”. For this maxi-single, which clocks in at roughly 18 minutes, the single proper is paired with remixes from Tracy Shedd (ex-Band & The Beat), Benjamin Mauch (Colin Phils) & Opin (who are currently mixing down their new LP).
The single comes across like a long-lost remnant from the last Cocteau Twins album. Slithering bass lines that work around programmed rhythms with a vocal delivery that earns allure as it escapes translation. Each of the remixes lean into the ethereal space trapped within the original. Tracy Shedd & Opin both find themselves working with processed percussive elements to augment the tune. Ben Mauch’s redux is floats away from the base, landing at an authentic recreation.